Kinsley interprets Bagalamukhi as "she who's got the experience of the crane". Bagalamukhi is never depicted with a crane-head or with cranes. Kinsley believes that the crane's behaviour of standing continue to to capture prey is reflective in the occult powers bestowed via the goddess.[5] She pulls the tongue of https://judahwgnsx.blogcudinti.com/31126001/detailed-notes-on-baglamukhi